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It’s true that sometimes the dazzling, attention-seizing provocateur who gave us the VMAs meat dress and vomit art feels like a distant memory. Since then, she has stayed busy - releasing the future-house Dawn of Chromatica remix album, leading the charge on Love for Sale (Tony Bennett’s final record and set of live performances after his Alzheimer’s diagnosis), and holding both pop and jazz-piano residencies in Las Vegas. But seemingly through sheer force of will, 2020’s Chromatica channeled four decades of house-music history to reclaim Gaga’s dance-pop throne for the first time since 2013. Ironically, the sound of Gaga’s iconic dance-pop hits fell completely out of fashion alongside the moody, trap-tinged, playlist-centric downturn of late-2010s pop. Lady Gaga has influenced several generations of weird, countercultural, often LGBTQ+ pop stars - everyone from Lorde to Sia, Nicki Minaj, Charli XCX, Halsey, Troye Sivan, SOPHIE, Janelle Monáe, Billie Eilish, Lil Nas X, and Dua Lipa owes Gaga some debt. She was superwoman no longer, and 2016’s Joanne allowed her to be more vulnerable, to find a sense of equilibrium in her art. Since Cheek to Cheek, 2014’s duet album with Tony Bennett, we’ve witnessed a gradual unraveling of Gaga’s once messianic image. She almost single-handedly raised the bar for pop music, videos, fashion, and live performances.īut the comedown, if you can call it that, was fascinating in its own way. No pop star of the 2010s was more committed to achieving transcendence through her art. Looking back on her first four albums - The Fame, The Fame Monster, Born This Way, and ARTPOP - her sheer ambition was dizzying.
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Gaga’s imperial phase was such a whirlwind that, in hindsight, it feels as if we’ve yet to take the collective time to reflect on the full depth of her artistry. Each release became an event her every move was dissected by social media. From her 2008 debut, The Fame, to 2014, when the ARTPOP-hype bubble burst, Gaga sped through several careers’ worth of highs, lows, and controversies. It has been updated to include Gaga’s subsequent releases.Īlthough Lady Gaga has been a household name for more than a decade, the first half of her career still feels as daring, vital, and relevant as ever. *This article was originally published in November 2018. Martinsville ISD joins Wells, Woden and Kennard ISDs as school that had to cancel classes as a result of widespread illnesses.Over the years, Gaga’s shape-shifting has painted a collective portrait of a complex, restless, fearless woman. Moreover, we are at a 20% percent reduction in average daily attendance rate for this time of the school year."ĭespite the unplanned closure of the school, Martinsville ISD should not have to adjust their instructional calendar because of the number of days built into the calendar, as well as available waiver days. "Total Active Cases at MISD (lab confirmed to have COVID-19) – 2 staff and 18 students. Due to privacy requirements, we will not be releasing the names of the individuals or details that may identify him or her." "In keeping with MISD’s practices to respond to COVID-19, we are notifying all families that 6 students who were lab-confirmed to have COVID-19 were present on our campus, among our 5th, 6th,, 7th, and 9th grade, on August 24-25. School will resume on Tuesday, September 7, 2021." This will allow us to deep-clean the campus while we are closed and to be sure that individuals infected with the virus are not on campus when they are contagious.
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This will include ALL extra-curricular events and practices. "Martinsville ISD will be closed beginning IMMEDIATELY and extending through the Labor Day Holiday on Monday, September 6, 2021. Here are excerpts from the Superintendent's statement: